OPEN DAILY | 10AM-6PM | FREE ADMISSION
Art Museum Lobby
October 14 - June 03, 2018
Lucy Congdon Hanson (from Port Townsend) reveals, for the first time, her 14-foot fork in fabricated stainless steel.
I have been a visual artist my entire adult life. Going to graduate school was my way of answering how deep that interest and commitment really was for me. I see art as a lifestyle, a lens that I view so much through.
Growing up in Colorado, I was inspired by local history, the mining industry, the ‘hard scrabble life.’ I thought a lot about uses for related materials like railroad ties and horseshoe nails – old metal of all kinds.
My first large-scale projects were installations. I would fill an entire room or space with one idea, like a set or stage. At some point, I became more interested in the individual object, even while creating a related series my interest became focused on the individual – related like cousins but still standing apart.
The body of sculptures named after constellations is inspired by three recurring elements – the use of wood and steel combined (an ode to Colorado’s history), the abstract figure – spare, but with versions of shoulders, hips, pelvises, and boots – and trajectories in the sky and beyond – like points on a constellation. These are not representational maps, but ideas formed by three-dimensions…
I believe sculpture occupies the same physical dimensions as we do. It can function to make us more aware of our surroundings and how we fit into that environment. I strive to create work that addresses the formal elements of sculpture, while accentuating a sense of tension, animation, and whimsy.
My sculptural works range in size from life-size to tabletop dimensions. They are made from a variety of materials including wood, steel, bronze, copper, aluminum and clay. Some are outdoor works, others specifically indoor and many are kinetic. All of them are contemporary in style. My older works are more abstract. I consider my newer works to be conceptual, even though realistic in form.
My smaller-scale spoons take my ideas to this newer place. They are about taking a seat at the table of life – sharing a communal meal, family, and safety. They began with my passion for food and feeding my family. I have long-loved the root of the word companion - one with whom you share bread. These spoons, plus a large-scale outdoor spoon sculpture that serves as an interactive birdbath, have led to my most recent work.
Serve is a 14-foot hand-fabricated stainless steel fork. This sculpture takes the ideas surrounding the spoons and brings them to the forefront of my consciousness. Serve represents the silent, but giant, role of women in households over generations - lovingly nurturing their families. Serve is about power, but the protective kind.
This large-scale fork also becomes other things – the nude figure, or a flamenco dancer. Gradually it leaves me, the artist – it becomes alive and starts to move on its own.
To me, a finished piece is not just an object, but an intuitive interpretation, a recorded experience, a loved upon object that has been turned in your hand a thousand times. And, maybe I have the ‘BIG disease’ in my art-making. Making something so large seems like taking a bravery test. It’s also exhilarating to me – like skiing downhill with your mouth open – feeling the adrenaline. It is also about finding my own voice, seeking a seat at a different table – dinner talk with the art world.
The real journey is in the making. I invest in my own curiosity. What you can imagine can indeed come true. It is very exciting to create something larger than you, and stand in its shadow and look up!
I would like to thank Walter Trisdale for his help with the fabrication of Serve, and for helping me to continue to realize my artistic voice on a larger scale. So now, my mind’s eye looks up into that vast sky and wonders…
- Lucy Congdon Hanson
Lucy Congdon Hanson grew up in Denver, Colorado, and spent her youth outside as often as possible, on the back of a horse, surrounded by huge skies. School was always difficult for her.
“In retrospect, due to my dyslexia, I see how I struggled with rote learning - I digested concepts better in 3-D… I suppose I built my life around not reading.”
Visual art became her primary language, and she began a lifelong journey involving sculpture and painting.
“My creative process is most inspired by the artists of the mid-20th century. I appreciate Alexander Calder for his humor – Calder’s Circus is one of the most accomplished works ever in my opinion… I thank Louise Bourgeois and Eva Hesse for their sensuous and organic approach to industrial materials. And, I have been influenced by Robert Motherwell and Richard Serra for the sheer power exuded in their use of minimalism.”
Hanson received a master’s degree in sculpture from the California College of the Arts in Oakland (formerly California College of Arts & Crafts) in 1995, and a bachelor’s degree in both painting and sculpture from the Colorado College in 1986.
Her past artistic endeavors include working as a scenic artist for theater, opera and cinema. Following those years she worked as an installation artist creating exhibitions such as America Under the Knife - a room of giant kitchen utensils including a 22-foot long knife.
Hanson continues her contemporary art practice, ever intrigued by large scale projects. “I love the fact that art is limited only by what you can imagine.” She lives and works in Port Townsend.
MESA Gallery,Toni Hall Orientation Gallery
June 23 - September 30, 2018
Jon and Lillian Lovelace Gallery
June 23 - September 30, 2018