All Sorts (No Licorice!)
Past Exhibition

This new rotation from the Collection of Cynthia Sears serves up an astonishing assortment of artist’s books. Included is All Sorts, a new work by Emily Martin in collaboration with Ellen Knudson. The work was conceived during Martin’s artist’s residency — inspired by the University of Florida’s collection of citrus labels.

Exhibition Feature in Preview Magazine

When

Feb 25 – Dec 31, 2020

Where

Sherry Grover Gallery

Share

Exhibition Video

From the Exhibition

Emily Martin & Ellen Knudson, All Sorts, 2015, letterpress printed from photopolymer plates, tunnel book structure, signed #23 of 35, 9”h x 9”w x 6.5”d, Collection of Cynthia Sears, Gift of the University of Florida, Gainesville
Emily Martin & Ellen Knudson, All Sorts, 2015, letterpress printed from photopolymer plates, tunnel book structure, signed #23 of 35, 9”h x 9”w x 6.5”d, Collection of Cynthia Sears, Gift of the University of Florida, Gainesville
L. Larson (Hoquiam, WA), Mortal Coil, 2017, hand-stitched shared stories of loss on paper, one of a kind, Collection of Cynthia Sears
Dorothy McCuistion and Jefna Cohen (Tacoma), Looking Up, Looking Down, 2017, bound hand colored linoleum prints, variable edition 4 of 10, 11"h x 9"w, Collection of Cynthia Sears
Mare Blocker, MKimberly Press (Seattle), Eden, 1986, #3 of 30, linoleum prints, 6"h x 6"w, BIMA Permanent Art Collection, Gift of Elizabeth Donnally Davidson
Bonnie Thompson Norman, The Window Pane Press (Seattle), Which Side Are You On?, 2019, ed of 30, linocut and collagraphy, illustrations, handset type, 8.25"h x 6.25"w, Collection of Cynthia Sears
Susan Lowdermilk (Eugene, OR), YOU Cannot Put a Fire Out, 2019, prints from woodcuts, laser cut paper, #4 of 30, 8"h x 9.75"w, BIMA Artist's Book Collection
Mare Blocker, MKimberly Press (Seattle), Book on Blood, 1999, spiral bound linoleum cut prints on paper, Century Schoolbook type in silver ink on acid free recycled paper, #3 of 100, 10"h x 6"w, BIMA Artist's Book Collection