The narrative threads of Carletta Carrington Wilson’s literary and visual works merge mirroring the melding of language and form. Encountering cloth as a constellation, as a geographical expanse and translator of time, Wilson explores the potential and possibility of engaging with fabric and its fabrication in unexpected ways.

The Pacific Northwest’s moody skies, mountain ranges, and bodies of water are integral to her artistic practice. It is here that her work has rooted itself, has ascended and descended, has formed structures upon which eye + hand, mouth/tongue/mind conjoin to create text & images reaching across realms of time. Her work is sited in and linked to the act of imagining and re-imagining a history in which multitudes of individuals found themselves without the means to transmit the meaning of their journey through the beauty and brutality of life. She uses history as canvas, an eye, camera lens, brush stroke, sculpting tool, pen, and thread.

Wilson’s poems, artist’s books, and artworks and can be found in local, regional, and national collections. She is the author of Poem of Stone and Bone: The Iconography of James W. Washington Jr. in Fourteen Stanzas and Thirty-One Days.

Learn more: https://carlettacarringtonwilson.com