Bainbridge Island Film Festival 2025

Jazz = Culture: Storytelling

Dr. James R. Gore

Dr. James R. Gore is a visionary leader whose work spans media production, education, and community empowerment. A triple graduate of Seattle University, he has carved out a distinguished career as the CEO of Ariel Media, a dynamic marketing, research, media, and consulting organization serving one of the nation’s largest media markets. With an eye for innovation and an unwavering commitment to authenticity, Dr. Gore has significantly influenced how urban narratives are told and experienced in the Seattle/Tacoma/Everett area.

Beyond his executive role, Dr. Gore is a dedicated educator and community advocate. He founded the Jackson Street Music Program, an experiential learning initiative designed to expose urban youth to the transformative power of the arts and higher education. This program not only provides free concert tickets, backstage encounters, and specialized seminars for students, but also works to ensure that young people from diverse backgrounds are equipped with the skills and inspiration necessary to thrive in the creative industries.

With three decades of experience as a music producer under his belt, Dr. Gore has played a pivotal role in curating and producing jazz concerts that celebrate talent in all its forms. His productions, including the renowned Jazz in the City series, have consistently provided platforms for musicians to share their artistry, challenging traditional market biases and fostering an environment where genuine musical talent is the star.

Moreover, as an influential voice on cultural and social issues, Dr. Gore has contributed thoughtful commentary on the role of jazz and the African American experience. His reflections on jazz as a profound expression of Black cultural identity underscore his belief in the power of art as a tool for societal dialogue and change. Through his writings and media engagements, he continues to highlight how music not only entertains but also educates and inspires—linking history with the present in a vibrant narrative of resilience and creativity.

Dr. James R. Gore’s multifaceted career stands as a testament to his commitment to elevating voices, enriching communities, and redefining the cultural landscape. His work continues to inspire both the current generation and those who will shape the future of urban arts and education.

MEET THE PIANIST:

Darrius Willrich is a singer, songwriter, pianist, and educator from Seattle, WA. He is a Cornish College of the Arts graduate with a degree in jazz piano.  He is on faculty at Seattle Central College, North Seattle Continuing Education, JazzEd, Off The Wall Music and Seattle Drum School (Lake City) as a piano and vocal instructor. He is the creator of the Critical Sun Recordings and Critical Sun Publishing. Darrius is currently the keyboard player for Digable Planets. He is a featured vocalist on Wiz Khalifa’s “Rolling Papers 2” and produced South African rapper Nasty C’s song Overpriced Steak along with Jake One and Sam Wish.

BrandonLee Cierley

BrandonLee has performed throughout the Pacific Northwest, has been featured on Portland’s KMHD Radio, and has appeared multiple times on Seattle’s KNKX 88.5 Live Studio Sessions. Most recently, he performed under his own name at the 45th Annual Cathedral Park Jazz Festival in July 2025.

In July 2020, BrandonLee released his debut album Here Comes a New Challenger, which has garnered over 20,000 streams and earned a spot on KMHD’s “Best Single of the Year.” On July 8th, he followed with the highly anticipated summer EP Thank You for Waiting, featuring LA-based saxophonist Braxton Cook. The project was included on Spotify’s Editorial Playlist “All New Jazz,” amassing over 2 million streams and earning praise from Abe Beeson, host of KNKX’s The New Cool.

BrandonLee’s sophomore album Camaraderie also earned placements on Spotify’s “All New Jazz” and other editorial playlists, and was released through Portland-based label LofiJazzSoul. The album received critical acclaim from jazz writer Paul Rauch of All About Jazz and Robert Ham of the Jazz Society of Oregon. It continues to reach listeners worldwide, landing on major editorial playlists including “All About Jazz” and “Fresh Finds: Jazz.”

BrandonLee’s growing discography earned him a release with the Belgium-based label StereoFox, debuting his EP Pathways. His third studio album Be Water, My Friend is out now on all streaming platforms.

Gail Pettis Quartet

Meet the artist:

Twice named ”Northwest Vocalist of the Year,” by Earshot Jazz, Gail’s rich, warm vocals and understated phrasing have been described as “deliciously soulful” by Cadence Magazine. Although devoted to the Great American Songbook, this granddaughter of Delta Blues legend Arthur Pettis has been known to slip in a side of blues as well. An Origin/OA2 Records recording artist, she is grateful to have been embraced by listeners with her last CD peaking at #5 on the JazzWeek National Airplay Chart, ending up as the most played new female vocal CD on American jazz radio in the year of its release.

Her love of music has taken her to Moscow, St. Petersburg, Novosibirsk, Ufa, Ivanova and Perm. She has also represented Seattle in Kobe, Japan as the first-place winner of the Seattle-Kobe Sister City Association audition. She takes equal pleasure in sharing music closer to home and is very excited about returning to BIMA!

Batuque: Journey through Brazil

Jazz with Jim: Jazz Gems Past & Present

Jazz with Jim is a deep dive into this beautiful American art form. Mixing music, photos, and video clips with an infectious lecture style, Jim takes guests on a musical journey that illuminates aspects of American history, jazz giants, social justice, race relations, and music as a universal language.

Experience how the enduring sounds of these musicians continue to resonate, challenge, and uplift listeners today!

 

W/EJF Films: Round Midnight

W/EJF Films: Club Lights, Long Nights

Three films, three eras, and one common theme: musicians balancing the pressures of entertainment, the pursuit of personal expression, and the realities of race, class, and commerce that have long influenced who rises in the jazz world. Listen closely as the music shifts across decades, while the intimate dialogue between players and audiences remains unbroken. Together, these films create a living timeline of jazz—finding new homes and audiences without losing its roots.

Join us at Within Earshot for this cinematic set, perfectly complementing the live jazz performances happening on the BIMA stage throughout the month.

Mark Lewis Quartet

Mark has performed and recorded with jazz greats including pianists George Cables, Mark Levine, Overton Berry, Mike Renzi, and Ted Gioia; drummers Victor Lewis, Candy Finch, and Eddie Moore; bassists James Long, David Friesen, and Larry Grenadier; saxophonist Noah Howard; trumpeter Randy Brecker; and vibraphonist Bobby Hutcherson. During his time in San Francisco, Mark frequently substituted for Stan Getz and John Handy.

“A Northwest treasure” — Jim Wilke

“Melodic straight-ahead jazz at its best” — Jazz Journal (UK)

Ne Plus Ultra Jass Orchestra

Frank Buxton Silent Film Festival: Flesh and the Devil

Set in early 20th-century Europe, this romantic silent drama follows two lifelong friends whose relationship is tested by a mysterious and captivating woman. With lush cinematography and powerful performances, including Greta Garbo in a breakthrough role, the film delves into themes of desire, friendship, and emotional complexity.